This time I reduced the elements in the painting, and added a fence to try to help with perspective. I still relied too heavily on the masking fluid, and the house looks like it’s been cut and pasted into the painting. The scale is off for the field, and those mountains (where’d those come from?) are crazy bossy because of the strong contrast from light to dark. As a composition, this is better than the others, but the values are still way wrong.